Wednesday, 30 September 2020

સાચા સરનામે, સરનામા વિનાનો પત્ર



નમસ્કાર મિત્રો,


વૈધા એ સડસડાટ પગથિયાં ઊતરવા નું શરુ કર્યું. નીચે આવી. ચારે તરફ જોયું. જો ન જોયું હોત તો પણ અંધકાર સિવાય કશું જ હોવાનું નહોતું. ખબર નહિ કેમ પણ છેક સુધી ન આવી. પગથિયાં પર અટકી ગઈ. વિચારે વેગ લીધો. લાઇટની સ્વીચ શરૂ કરવી કે કેમ? વૈધા કોઈ વિચાર કરે એ પહેલા ડરે પગ પેસારો કરી લીધો. કશુંક ખૂંચી રહ્યું હતું, ખૂંપી રહ્યું હતું ને કંપાવી રહ્યું હતું. વૈધા નીચે ન જઈ શકી. ઉપર ફરીથી અગાસી માં પહોંચવું સરળ નહોતું એમ છતાં વૈધા પહોંચી. આદત વશ ડાયરી સાથે હતી એટલે ધ્યાન ભંગ કરી શકાયું. ફોન ની ફ્લેશ એ પેન દેખાડી. વૈધા એ જોઈ. લીધી. ઉપાડી. ખોલી. શરૂ કર્યું. ગ્રીવા ના સંબોધન અને સરનામે લખાણ શરૂ થયું.


વૈધા વિચાર ને વાચા આપી રહી હતી કે વાચા ને વિચાર ન આવે એ માટેની આ તકનીક હતી?


To,

ગ્રીવા.


સરનામું: જેને વાંચવું જોઈએ એને નહિ જેને વાંચવાની ઇચ્છા છે એને!


એક આખો લખાયેલું છતાંય સાવ અધૂરો જાણે કે ફાડી ને ફેંકતી હોય એવું લખાણ. શબ્દો સિવાય કશું નહિ. આમાં શબ્દો છે હું નહિ! અત્યારે આ શબ્દો મારા છે, પ્રતિનિધિત્વ પણ મારું જ કરે છે પણ એ મારા વફાદાર નથી. મારે કહેવું છે એ નહિ, પોતાનો સ્વતંત્ર અર્થ લઈને જે અસ્તિત્વ ધરાવે છે એ જ કહેશે એ!


 

રાત ના બાર વાગ્યા છે બરાબર. જાણે કે ધસમસતો પ્રવાહ. અમાસ તરફ,અંધકાર ને મેળવવા માટે જતા ચાંદે આજે પોતાનો વધ્યો ઘટયો પ્રકાશ આપવાનું કષ્ટ પણ ન કર્યું. બીજો કોઈ જ વિચાર નથી આવતો, સિવાય એક! અગાસી માં સુતા હોય ને કશુંક થાય ત્યારે આ જ વિચાર સૌથી પહેલા આવે, મારા માં કશુંક ખૂબી વાળું છે એવું નહિ. નીચે જવું હોય તો અત્યારે અહીંથી કૂદી જ જવાય. નીચે જવાના બહાને ઉપર પહોંચી શકાય. બે જણાં પોતાની જાત ને હોમે છે, એટલા માટે નહિ કે કશુંક પોતે ખોટું કર્યું છે પણ એટલા માટે કે જે કશું પણ કર્યું એ મે કર્યું ને ભાર એવો ઊંચકાવી દીધો કે ના પાડવાનું જોર ભૂલથી ય નો કરી શકે. કદાચ મે કશું જ નહોતું કર્યું પણ કશું જ નહિ કરીને મે જે કર્યું એણે આ પરિસ્થિતિ ને નોતરી. જેમનું સ્વતંત્ર અસ્તિત્વ કલ્પી ન શકાય એવા સબંધમાં મારે જગ્યા જોતી હતી. મેળવી લીધી જગ્યા, આજે બેયને ગુમાવીને. એક માં જેરના બીજ રોપ્યા ને એકમાં ત્યાગનું બલિદાન. રોષ અને આક્રોશ કોઈનો પણ હોય, પરિણામ મારી સિવાય બધા ભોગવશે. હું ભોગવીશ કશું નહિ કરવાનું પરિણામ. કદાચ આ રોષ ઉતરી જાય આવનારી પળોમાં પણ આ શબ્દો વાંચનાર ને ડંખ કાયમ માટે રહેશે, હું ઇચ્છું જ છું કે હું સતત દાઝ લગાડ્યા કરું કારણ કે આજ સુધી કર્યું તો એ જ છે પણ છુપાઈને. જાત થી પણ છુપાઈને. આટલા વિચાર પછી પણ કૂદી જવાની હિમ્મત કરનાર હું નથી. કાયર માણસ આજે હિંમત ની દુહાઈ આપે છે. હું કઈ નથી કહેતી, કઈ નથી કહેતી એવું બધું કહી કહી ને જાણે કે મે કેટલી વાર સામેવાળા ને મારી મોટપ દેખાડી. દેખાડવા સિવાય તો રસ હતો જ કઈ વાત નો મને. સતત દેખાડો અને દંભ. આજે ય છે. આમ તો ખબર જ હમણાં હમણાં પડતી થઇ કે દંભના એવા પડદા ને લઇ ને જીવું છું કે કોઈ દંભ કહેવાની હિંમત પણ કઈ રીતે કરે? ને કોઈ હિંમત ન કરે એનો અર્થ એવો તો નથી કે દંભ નથી! દંભ છે ને હતો! ભવિષ્ય નું કશું કહી શકવાની તાકાત નથી મારામાં. ભૂતકાળ અને વર્તમાન માં ઝોલાં ખાવાની ભૂલ કરતો માણસ હંમેશા ભવિષ્યથી ડરીને, ભાગીને અને ભટકીને જીવે છે. મને તો  મારા ચાલુ વર્તમાનકાળ માં ય રસ હોવા વિશે શંકા જાય છે કારણ કે મારી પાસે કશી જ ખામી નથી છતાંય ખામી પાડી છે મે જાતે. જ્યાં ખાડો નથી ત્યાં એક વ્યક્તિમાં ખાડો ય પાડી દીધો મે ત્રીજા એક વ્યક્તિને ખાડામાં ઉતારી પણ દીધી. 


દંભ છે આ પણ. આ લખવું પણ કેમકે મારી સાથે જોડાયેલ નહિ પણ મારા માં રહેલ બંને કદાચ એક પણ શબ્દ નહિ લખે તોય એમની પીડા - વેદના મારાથી અનેકગણી વધુ છે એ વાત સ્વીકારવી જ રહી. પણ હા, કશુંક લખવાથી લોકો મારા દંભને પણ દંભ નહિ ગણે એની મને ખબર છે ને એટલે જ હું  એ કરું છું. દરેક ને જરૂરિયાત બનાવવાની જ ઈચ્છા રાખી, સપનું હમેંશા કોક ની ખ્વાહિશ બનવાનું! બની લીધું, માણી લીધી ને જોઈ લીધું. આજ એટલો બધો ધસમસતો પ્રવાહ છે કે મારે તું જોઈએ છે, અત્યારે જ! આ નીચેની ધૂળ મને રાડો નાખતી બંધ થઈ જાય એ પહેલા. આજુબાજુમાં બધા સૂતા છે. ડરાવતી નથી પણ કહું છું ખાલી. મારે પરાણે ખરેખર કશું નથી કરાવવું યાર, તારી કસમ! પણ શું કરવું, છતાંય મારી વાતનું ધાર્યું થાય એવી જ ઈચ્છા છે. બીજું કશું જ નથી, સિવાય આંખ માં આંસુ. તું પણ નહિ ને એ પણ નહિ. નહિતર આ કૂદવાનું વિચાર મને ડહોળાવી નાખે. તારી મરજી વિરુધ્ધ કઈ નથી કરવું છતાંય તારી  મરજી નું પણ ક્યાં કશું કરું છું. તમે બન્ને એ પણ ક્યાં તમારી પોતાની મરજી નું કશુંક કર્યું છે! એક સમયે કશુંક એક જોતું તું, થોડી ક્ષણો પહેલા બધું ને અત્યારે જાણે મારી જરૂર નથી એ શબ્દો એ ફાડી ખાધી. પણ કૂદી જવું જોઈએ?! કૂદી જનાર આટલું વિચારે જ નહિ. ઝમીર નું સત્ય જોઈએ એ માટે, એ જિંદાદિલી જે મારી શકે. ખોખલાપણું, દંભ તો જીવવા માં જ કામ લાગે ખાલી. 


પણ હું આ પશ્ચિમ તરફ મોઢું રાખીને બેઠી છું. પૂર્વ ને ખાળવા. મારે મરવું નથી. મેળવવું છે, પણ કોક આપી દે સીધું એવું નહિ! સાથ જોઈએ પણ મજબૂરી થી મળતો નહિ. જીવવું છે. જીવવું છે, પણ આમ તમને મારતા મારતા નહિ. મારું કામ સતત બધું વિખવાનું ને ચિંથરેહાલ કરવાનું રહ્યું. આજે જ્યારે એ થઈ ગયું ત્યારે આંખો ફાટી ગઇ. બે જીવ હોમી દીધા મારા માં. છતાંય મારામાં મળતાં નથી. ખોઈ નાખ્યું મે અસ્તિત્વ એમનું પણ!

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ઘડિયાળના ચાર. માથે બેબાકળો ને ગાંડો કરી મૂકે એવો પવન. વાતાવરણ પહેલા કરતા કેટલુંય સારું છે. સ્વભાવને શાંત પાડી દીધો છે, કોણે એ ખબર નહિ! કૂદવું હજીય નથી પણ વિચાર જતો જ નથી જાણે કે ઓલી ધૂળ ને મને અડવું જ છે! અડવું ધૂળ ને છે મારે નહિ!


હવે ધસમસતો પ્રવાહ શમી ગ્યો છે ને વિચારો એ વિરામ લીધો છે. હવે ચીસો નથી પાડવી કે નથી રડવું. ટુંક સમય માટે ખાલી. પણ હજીય રડવું છે, એ બાકી રહી ગયેલી ઉધારી ચૂકતે કરવી છે. રડીને, પણ જો કશુંક પાછું ખેંચી શકાતું હોય તો!


હવે કશુંક કહી દેવાનો ઉમળકો પણ નથી. આંખો ને માથું બેય ભારે છે. હવે ખરેખર સૂવું છે, અડધી રાતની શરૂઆતમાં કરેલ દંભ માટે નહિ પણ સૂવું છે એટલા માટે! સૂઈ જવું છે અમુક નિશ્ચિત શાશ્વતતા નેં કશાક બીજા સ્વરૂપમાં તબદીલ કરવા.


આ માત્ર આટલું નથી, વાંચવાનું વધારે હતું, આમ તો કદાચ લખવાનું વધારે હતું પણ સમય ને સરખો સમય આપ્યો તો એણે મને આ વચલી કલાકોને શબ્દો મળી શકે એવો સમય ન આવવા દીધો. અહીંયા સુધી પહોચશો ત્યાં સુધીમાં તો હું સાચે જ સૂઈ ગઈ હઈશ, સૂઈ જ ગઈ હોઈશ જ્યારે મારે ખરેખર જાગવાનું હતું એટલે હવે સૂવાનો કે નહિ સૂવાનો કઈ પણ ફેર નથી. તો સૂઈ જવું જોઈએ. સૂઈ જવું જોઈએ એ પહેલા કે એ ધૂળ પર મને દયા આવી જાય, કારણ એ મારું કશું નથી, નહિ પ્રેમ, નહિ મિત્ર અને નહિ સ્વજન. મારા એને મળી ગયા પછી પણ એને કંઈ નહિ મળે, તો શાને એને મળવાની આટલી ઉતાવળ! બાકીની કલાકો બીજી કોઈ રીતે મળશે મને, તમને બધાને. 


કોઈ ના વાવડ ન હોય એવા ઘનઘોર ઘટાટોપ છાયા નીચે પડછાયાં ની રાહ માં..


રાતમાં ફીટ સાડા ચાર!


હા, આ લખવું એ દંભનો ભાગ જરૂર હશે પણ શબ્દો એ કરેલી ઊથલપાથલ માટે જવાબદાર હું નહિ!

લિ,

વૈધા.


વૈધાં એ પેન બંધ કરી. મૂકી. મુકાઈ ગઈ. ડાયરી ની ઉપયોગિતા મટી ગઈ. ગ્રીવા ને આ પત્ર નહિ મોકલવાના નિર્ણય સાથે, વૈધા એ કાગળ ને ડાયરી માં જ વાળી દીધું. શરીર લંબાવ્યું. સવાર થતાં રાત થઈ.




-રૂચિ જોશી.


Wednesday, 23 September 2020

The Waste Land


Hello friends,


The Waste Land is barren because it cannot bring out possibilities for an expansion. Completed the whole lectures of the modern epic- The Waste Land online. It was quite new and unique experience of learning yet it is not totally new on our side as we are practicing online remote learning even before this corona pendamic under the guidance of Dr. Dilip Barad sir.



Modern man is spiritually hollow and barren; he is just like a robot that follows the pre-assigned tasks. Through the symbolic and allusive analysis of this poem the researcher will try to show the images of hollowness and barrenness in the present age.


I appeared in the quiz and scored 80/85. Click here to view the quiz. This quiz is encoded into this blog. This blog will also help to view recorded sessions of discussion on The Waste Land.

Click here to view Dr.Dilip Barad's blog.



Thinking activities

Click below to look at all three thinking activities linked here.


(1) Write about allusions to the Indian thoughts in 'The Waste Land'. (Where, How and Why are the Indian thoughts referred?)

Click here to view the answer


(2) Prior to the speech, Gustaf Hellström of the Swedish Academy made these remarks:

What are your views regarding these comments? Is it true that giving free vent to the repressed 'primitive instinct' lead us to happy and satisfied life? or do you agree with Eliot's view that 'salvation of man lies in the preservation of the cultural tradition'?

Click here to view the answer


(3) What are your views on the following image after reading 'The Waste Land'? Do you think that Eliot is regressive as compared to Nietzche's views? or Has Eliot achieved universality of thought by recalling mytho-historical answer to the contemporary malaise?

Click here to view the answer

The prominent anxiety is, people are emotionally and morally dead and physically alive. So, what is the purpose of this kind of human life?


Background reading of the 20th century is discussed here.

Click here to read background of the modernist period


General characteristics of the 20th century

Click here to view general characteristics of the modern age


The poetry of the modern age expresses the chaos and the changing scenario of life and society.


The poetry of the first two decades of the 20th century is transitional. It indicates a change from Victorianism to modernism. Gradually the traditional and rural poetry of the 19th century began to decline.


Click here to view modernist imagery, symbols and metaphors in various poems



The Waste Land's central idea deals with from which the present century is also suffering, lack of spirituality or perversion of sexuality. Is there any kind of dependency or both are inter connected or anything else?


It was very productive online discussion on ‘Spiritual Degradation and Sexual Perversion, especially with the reference of T.Eliot’s The Waste Land’ is posted here. We students have tried to come up with some of points and to explain our ideas. Of course this question is rather like Egg-Chicken but it was for arguments and to lead the self towards productive knowledge instead of reaching out to any particular finish.  Some questions are rather rhetorical & certainly this is one of them.


Here are two of my reflective intrections during these live sessions. Other can be viewed on Dr. Dilip Barad's YouTube channel or even in blog, mentioned above.






Thank you.







References and work cited



(1)Chatterjee, Satischandra. An Introduction to Indian Philosophy EBook: Chatterjee, Satishchandra, Datta, Dhirendramohan, Datta, Dhirendramohan:/Introduction-Indian-Philosophy-Satishchandra-Chatterjee-ebook/dp/B01C2IHREY.


(2)Dwivedi, Amar Nath. Indian Thought and Tradition in T.S.Eliot’s Poetry. Bareilly: Prakash Book Depot. India, 1977


(3)Eliot, T.S. Preface. Lancelot Andrews: Essays on Style and Order. London: Faber & Gwyer, 1929



(4)Eliot, T. S. The Waste Land & Other Poems. Benediction Classics, 2011.


(5)Jain, Manju. “The Waste Land” T.S.Eliot Selected Poems and A Critical Reading of the Selected Poems of T.S.Eliot. Delhi : Oxford University Press,1997.


(6)Madhavananda, and Śaṅkarācārya . The Brhadaranyaka Upanisad, with Commentary of Sankaracarya Translated by Swami Madhavananda, with an Introduction by Mahamahopadhyaya S. Kuppuswami Sastri. 1965, /Brhadaranyaka-Upanisad-commentary-Sankaracarya/dp/8175051027.


(7)Zimmer, Heinrich (1, Philosophies of India (reprint 1989), Princeton University Press





.

Do you think that Eliot is regressive as compared to Nietzsche’s views?


Hello friends,

What are

your views on the following image after reading 'The Waste Land'?

Do you think that Eliot is regressive as compared to Nietzsche’s views?

Or

Has Eliot achieved universality of thought by recalling mytho-historical answer to the contemporary malaise?

 

Friedrich Nietzsche is progressive and forward looking where as T. S. Eliot seems like regressive because both have totally different sights and beliefs. Friedrich has the idea of 'Superman' who believes in faith and Self only. Superman has quality that he only believes in this life rather than after the death of life. Means, he has no belief in any mysticism. Super human is the creator of own life and values. He has his own motifs and will power. He thinks that the self is more important than anything else and there is nothing beyond the self. 


Time present and time past

Are both perhaps present in time future,

And time future contained in time past.

If all time is eternally present

All time is unredeemable.

What might have been is an abstraction

Remaining a perpetual possibility

Only in a world of speculation.

What might have been and what has been

Point to one end, which is always present.

Footfalls echo in the memory

Down the passage which we did not take

Towards the door we never opened

Into the rose-garden. My words echo

Thus, in your mind.




The poem – The Waste Land provides the modern reader with both a glimpse of the collective psyche. 


Somehow Freud's point of view is parallel and both are totally against to T. S . Eliot. Fragmented parts are there in each poem which must be connected. The fragments the broken images are the remains of something that is once, presumably, solid but is now ruins. 


The Waste land presents the remains of the culture and the world it describes are only the remains of a culture and of a world not a whole as it is. And The Hollow Men also support this argument and line suggests that.......


"This is the dead land

This is cactus land

Here the stone images

Are raised....."


The waste Land is also referred as 'dead land'. Mentioning only Indian thoughts which are used by Eliot in his poem, he reflects his reliance in Indic philosophy to come out from the agony. He uses 'Upanishads philosophy' which shows the path of living life. He uses that time where in poems , there is no calmness and no hope for bright future. He describes the way of living life through 'Sanatan Dharama'. There is the concept of ' Life in Death & Death in Life '. In poems, Inner turmoil of human begins visibly described. It is struggle not against any material things or outer enemies but struggle from the self. Being is not there. Existential anxiety are there . How to survive in this thorny state of affairs? Spiritual lack is also there and how to get the peace of heart. Human despair, spiritual draught exist there but the kingdom has no bright future.

 

"A dead sound on the final stroke of nine."


Above line is direct connected with death God- Christ. Eliot is regressive as compared to Nietzsche’s views because Eliot goes back into past. Eliot uses the mythos and historical settings to convey his messages at different level. Because Our behaviours and culture is constructed by myths. with the references of myths, poet is able to explain some moral lessons. Present and past is always connected because roots are always in past. His vision of the future is connected to past.

"How can rootlessness be repaired?"

From there the quest of T. S. Eliot to find out the way - how to be out from this Waste Land of the world of the early 20th century. 


Thanking you.



Does salvation of man lies in the preservation of the cultural tradition?

 

 

Hello friends,

 

No system of morality is accepted as universal, and the answers  to the question what is morality?” differ sharply from place  to place, group to group, and time to time, for some it means  conscious and deliberate effort in guiding one’s conduct by reason based on fairness and religious belief.


Eliot describes the despair and hopelessness of the Modern Age. People are emotionally dead and physically alive so what is the purpose of human life? To come out from the modern complexities or vulgarity of modern civilization, and modern anxiety, he becomes the innovator of Indian philosophy as the ultimate solutions of all problems. In search of salvation for modern men who are suffered from their own self, he shows the path of ' Santana Dharma' which is suggested into Indian Philosophy. Eliot believes in one's salvation which lies in the preservation of cultural tradition. It is pre-existed means already there and which must preserve it chaos is to be avoided. If all things crumbling down gradually, how all those things reconstructed?


Past and present always go together. To find out the answers or solutions of the problems, Eliot goes into the past and fined the answer which is suggested by Indian culture or Indian Vedic Sahitya. People only sustain through their culture not primitiveness. Thus, giving the importance to culture , he is differed from the Freud who gave the concept of collective and individual balance which should be constantly take into account man's primitive instincts. Western Society has lake of spirituality and much sexual perversion which leads them towards the darkness and they have no hope for better future. Culture and traditions are there, it is within us not primitiveness. In other words, we may say that Culture sustain within us rather than primitiveness.


Eliot knows the knowledge of Indian spirituality and uses all in his poem as the solution of salvation and relief of human lives. 

 

People are physically living and morally, spiritually or mentally died. They are living yet not! So, what's the use of this kind of life? He has made a fair use of the Hindu Scriptures, specifically the wisdom of the Vedas, the Upanishads. Here, we will seek to explore the relation between Indian Philosophy and T.S.Eliot's The Waste Land.

 

Poem delves between spiritual degradation and sexual perversion. It delves into corruption of human soul, lack of moral uprightness and spiritual barrenness of modern times but what's interesting is, also give solutions to these drastic problems of humanity.

 

The Modern Age - 20th century is the time of much anxiety and have no faith in humanity. Eliot has great faith in philosophical solution and religions which provide some kind of relief. Going back to past, he informs that we have to preserve the culture through which we can sustain our life. Though people cannot change the past which is lived, past is the thing which leads our present. 


T. S. Eliot is known as religious poet. He has great knowledge of different cultures, religions, literatures, history and common senses. The same way, He has knowledge of Indic philosophy, language, and culture. And we find such references in his poems. He uses different languages like...... English, German, French, and Sanskrit and different religions like Buddhism, Hinduism, and Christianity.

 

It was the period of modern world. sexual sterility and lack of proper love in the 

Modern world.


There is some dangerous aspect also how to sustain in such kind of state of affairs. In poem there is much deep philosophical concern and some psychological aspects. And it evidently psychologically it also connected with it. 


It also contains common themes such as modernist literary traditions, including the disjointed  nature of time, the role of culture and nationality, and eventually the desire to find universality in a period of  political unrest. 


Freud believes in individual freedom and personal desire. He thinks that society is constructed the behaviors with norms and that's why there is the conflict between individual expectation and community which is harm the society. Whereas Eliot gives the cultural identity rather than the personal desire. Eliot believes that Mankind has cultural norms and regulation before our existence and through which Human being survives. So, sometime personal desire and instincts becomes only imagination and have to face reality which is totally different. So, let's try to find without their different point of view discussing some poems and let's see from where he find out the solutions


That is the whole; the whole is this:

from the whole rises up the whole;

and having seized the whole of the whole, the whole alone remains


 

" Where sun beats ,

And the dead tree gives no shelter, the cricket no relief ,

And the dry stone no sound of the water."


One cannot imagine life in this kind of circumstances. This is the cultural situation of the 20th century modern civilization where human life is unimaginable and what sort of life it would be. Harold Bloom rightly observed that in The Waste Land. The problem poem presents it runs throughout five parts of it.

“How can people live well if the culture is broken , harsh and cannot support them?"

Or

What sort of human can grow in barren culture? How mankind make or create a worthy culture of the environment in which it grows undermines life rather than nature it?

This quest to repair to reclaim, re-establish, to bring back to the faith, spirituality and the culture of the past. So, Eliot goes back into past to find out answers and also achieved universality of thoughts by recalling mythos historical answers to the contemporary malaise.

Observing both Eliot and Freud, we may say that Eliot is regressive .He has great belief in the past or culture rather than primitiveness. Freud believes in collective and individual balance which should be constantly take into account man's primitive instincts. Whereas, Eliot believes in one's salvation which lies in the preservation of cultural tradition. It is pre-existed means already there and which must preserve it chaos is to be avoided

The central idea of ' The Waste Land ' is sexual perversion and spiritual drought both are inter woven in the poem. Freud also says , spirituality and sexuality are inseparably related. For example, intuition and creativity cannot function in individuals who are sexually inhibited or who repress sexual guilt and shame. (SIGMUND FREUD & FREUDIAN PSYCHOANALYSIS) Eliot emphasizes on Culture and traditions which is within us not primitiveness which is given by Freud. 


In other words,

It seems that Eliot tries to says that

 Culture sustain within us rather than primitiveness. 


If all things crumbling down gradually,


Freud believed that humans were driven by two instinctive drives, libidinal energy/Eros and the death instinct/than to with example it indicates that......... , if one feels stuck or depressed, it may be the foreshadowing of a creative burst. Eros is also at the root of our philosophic or religious exploration and the urge toward self-actualization 

As we have remarked in the earlier part of the paper that in this age there is growing interest in psychology , Freud and other psychologists have also tried to get solution of the present dilemma of hopelessness ,rootlessness and decaying culture. The remark made by Gustoy Hell the member of the Swedish academy at the Nobel Prize ceremony. This remark help us in reading or at least how the psychological solution is connected with the Waste Land. 


"For Freud the most profound cause of the confusion lay in the Unbehagen in der Kultur of modern man. In his opinion there must be sought a collective and individual balance, which should constantly take into account man's primitive instincts. You, Mr. Eliot, are of the opposite opinion. For you ( Eliot) the salvation of man lies in the preservation of the cultural tradition, which, in our more mature years, lives with greater vigour within us than does primitiveness, and which we must preserve if chaos is to be avoided. Tradition is not a dead load which we drag along with us, and which in our youthful desire for freedom

we seek to throw off. It is the soil in which the seeds of coming harvests are to be sown, and from which future harvests will be garnered”

( Nobel Prize Speech)


But what Freud said that to give free vent to primitive instincts, is not always possible when we are living in groups of human beings called human society , because the free vent of primitive instincts can lead to chaos into society. It is true that giving free way to primitive instincts can provide at self satisfaction and happiness which is momentary but that happiness even remains up to individual only and cannot become collective happiness which can lead a better society and culture. And that's why Eliot is better than Freud because he goes to past with cultural reference to find contemporary malaises.

How all those things reconstructed?

Does it rise again from the ashes?

Though individual made up the society , society never accept the individual's decisions. Psychologically, it symbolizes the inner darkness of life. There is nothing to be done.

Though people are alive they seem like dead because of sexual perversion. They are similar to dead. They have no strength to do something. They all are impotent . Though they are human being, they are laying spiritual incapacity in the both.

Thank You.

 

 

 

 

 


‘The Brahadarnakya Upanishad’ & The Waste Land

 

Hello friends,

India has infinite and rich cultural heritage and philosophical content. Indian philosophy includes both orthodox and unorthodox systems depending upon the readers. It deals with various kinds of philosophical problems and leads us nearer to salvation, the self. Buddhism and Jainism, Upanishads and Vedanta are at the heart of Indian philosophy. Indian thoughts and philosophy provides the historian of Western philosophy with a point of view that may enhancement that gained from Western thought.  A study of Indian thought, then, reveals certain inadequacies of Western philosophical thought and makes clear that some concepts and distinctions may not be as inevitable as they may otherwise seem. In a similar manner, knowledge of Western thought gained by Indian philosophers has also been advantageous to them.


Upanishads and Vedanta transactions with nature, human body yet not to speak of moral and ethics or social philosophy. There is also a conflict within India for its concepts as it is multicultural. Religion has divided very basic point of spirituality and followers think that it defers from not foreign countries but even of their own country. It can never be so.  


The variety that we see in the world can be explained only as the outcome of men's diverse past work. Can knowledge remove ignorance? Reading of The Brahadarnakya Upanishad not only answers so many questions but leads down to many questions which are unanswered even today.


For the salvation or ‘Moksha’ relation between two encloses deeper significance, yet it focuses upon self rather than person. 


Buddhist philosophy stands at the top along with Upanishads as it does not believe in concretized idea but in metaphysics. The Buddha criticized all concepts of metaphysical being and non-being as truthful views caused by reification, and this critique is involved from the formation of Buddhism. 


Influence:


Misconception which many Indians serve today is, India is great just because it has great culture, Upanishads, Vedanta and etc. Does it really so? No. Many say Eliot also has to come to our Indian Upanishads for ultimate solution of salvation from prevailing modern anxiety and when Eliot gives it from “The Brahadarnakya Upanishad – Om Shantih Shatih Shantih’ says India always gives extend way of salvation and spirituality which other can’t. The question is, ‘Where we were when Eliot was referring to ‘The Brahadarnakya Upanishad’? Most of us are well aware about ‘The Brahadarnakya Upanishad’ and its Shanti mantra just because Eliot has discovered. Hence, it can be said that Indian spirituality lacks the touch of Indians and grasped well by westerners. Spirituality is of no one. It consist universal human laws. It is for the self but not for any particular society or to country even. It belongs to humanity, for the humanity as ultimate solution.


The concept of atman or soul, not overall absent-minded in Western thought, corresponds in a certain sense to the Western notion of a transcendental or absolute spirit self—important differences nonetheless. The concept of moksha as the concept of the highest ideal has likewise been one of the concerns of Western thought, especially during the Christian era, though it probably has never been as important as for the Hindu mind. Most Indian philosophies assume that moksha is possible, and the ―impossibility of moksha‖ (anirmoksha) is regarded as a material fallacy likely to vitiate a philosophical theory.


Eliot writes the modern Epic – The Waste Land influencing from ‘The Brahadarnakya Upanishad’ and ‘Adittaparayaya Sutta’.



Concept of Moksha in Upanishadas and Buddhism


It believes that locating valid knowledge was the only way to gain release from suffering, and took great pains to classify valid sources of knowledge and distinguish these from mere false opinions. According to Moksha, there are exactly four sources of knowledge: perception, inference, comparison, and testimony. Knowledge obtained through each of these is either valid or invalid. Moksha developed several criteria of validity. Following this, moksha is probably the bordering Indian equivalent to analytic philosophy.


Chatterjee and Datta explain that our understanding of philosophy is fragmentary, based largely on criticism of its ideas by other schools, and that it is not a living tradition:


"Though materialism in some form or other has always been present in India, and occasional references are found in the Vedas, the Buddhistic literature, the Epics, as well as in the later philosophical works we do not find any systematic work on materialism, nor any organized school of followers as the other philosophical schools possess. But almost every work of the other schools states, for refutation, the materialistic views. Our knowledge of Indian materialism is chiefly based on these."


Experience is the path most elaborated in early Buddhism. The doctrine on the other hand was kept low. Majorly it deals with emptiness and silence yet this silence does not indicate misology or derision for philosophy. Rather, it indicates that to view the answers to these questions as not understandable by the unenlightened, prejudiced or the ignorant.



Overviewing the other views


In his work entitled as T.S. Eliot’s Poetry and Plays: A Study in Sources and

Meaning Grover Smith analyses the self-admitted statement of Eliot that ‘The Waste Land bears the release of tension in the mind of the creator.’


Eliot firmly believed that sexual perversion and spiritual degradation can only be erasing out with the help of salvation. F.R. Leaves writes in his work, New Bearings In English Poetry that the conspicuous theme of The Waste Land is none but the remoteness of the modern civilization. The researcher is resolutely agree with this view points of critics and Upanishad ‘you can never know one thing by knowing another.’

The Brahadarnakya Upanishad

The Brahadarnakya Upanishad



Hindu-Buddhist Influences Critics Dr. Dwivedi who is of the opinion


“The Waste Land has an unprecedented amalgamation of disparate experiences and the wisdom of ancient India is an essential ingredient of this ‘amalgamation’


Thus, researchers wants to discuss here is, what is implied in the surrounding text that one can pass them by without losing the general tone or main emotion of the passage. Here, text is The Waste Land and general tone is regarded as ‘The Brahadarnakya Upanishad’



Connection between The Waste Land and the influence of ‘The Brahadarnakya Upanishad’



Dwivedi has rightly observed,

‘It is known to all that two out of the five section-headings of the poem are borrowed from the Indian sources. One may interpret the poem in terms of the five elements that constitute life on earth according to Hinduism…the very title of the poem, the sense in which Eliot used it can be traced In the course of time, as Mr. G.N. Rao points out man’s search for water came to symbolize his metaphysical quest. Thus, the expression ‘waste land’ comes to signify a state of existence devoid of this quest. The title Brihadaranyaka Upanishad is an example of such usage. This Upanishad contains six chapters and is called Aranyaka, as being spoken of a desert forest, and Brihad (Great) from its extent. Like the Upanishads. Eliot’s poem is a secret, wise message to the people living in the waste land to liberate them from the bond of flesh and to pursue to metaphysical way of life.’



Since his childhood Eliot was highly absorbed of Indian philosophy and Upanishad. Researcher has found out unusual connection between ‘The Brahadarnakya Upanishad’ and The Waste Land. It can be co-incidence but it would be unfair to scholar and great literary man like T.S.Eliot to refer is as co-incidence. As a result, researcher wants to conclude with the view point is, ‘Where Eliot gives final line of the modern epic poem – The Waste Land ‘Om Shantih.. Shantih.. Shantih..’ is actually the very first shloka of ‘The Brahadarnakya Upanishad’. In spite of being intellectual and high scholar of Indian Philosophy and Upanishad, though he gives ultimate solution of agony within is nothing other than salvation and way to salvation too. 


We know, Eliot has used so many mythical and literary references to bring relief and way to salvation and for appropriate examples he did so. In The Waste Land, Eliot rounds not only the bareness of present world but also gives solution of three Da and shanti mantra ‘Om Shantih Shantih Shanih’. With this spiritual aspect, Eliot wants us to convey that though he is giving the solution, is just kind of touching upon of Upanishad. It is not the finishing line but the very opening lines. He just flashed his light on spirituality is yet remaining to think upon. 


BEGINNING CHANT OF
The Brahadarankya Upanishad



What dissimilarity shares The Waste Land and ‘The Brahadarnakya Upanishad’ is, Eliot ends this modern epic with a kind of solution or suggestion. It brings way to come out while reading of this Upanishad seems it’s a kind of loop, one can never help to another to come out. The Waste Land unties with qualms and finds way to salvation or solution but Upanishad releases with this Shanti mantra and ends with no any kind of particular solution as one him/herself needs to find out. Eliot has found out his own and suggesting readers to find their own if they don’t want to find, yet there is much more needs to know. This is just a beginning.


Evaluation


The Waste Land is sub-devided into five parts. All parts are deeply rooted with ‘The Brahadarnakya Upanishad’, not only the central idea of salvation which is believed to be of ‘The Brahadarnakya Upanishad’ Indian Philosophy. From Upanishadic point of view there are five elements sky, air, water, space, earth, and fire beneathing the life. These five are also known as Panch Mahabhut.


Eliot’s use of various ‘I’

 

Among the five parts, Eliot uses different ‘I’s. It very difficult to place any I at any definite place except the end readers may find touch upon the tone of poet himself. Now, this very concept of I also belongs to ‘The Brahadarnakya Upanishad’. Upanishad deals with objections and replays and thus center also keeps on changing. Eliot has used this idea of changing center for his fragments. Of course, Upanishad doesn’t rounds the fragments yet is not linear. 



In the traditional heritage of India the human body is considered the combination

of the Pancha Maha Bhootas because of its being made up of the five elements of Nature. The concerned five elements are the earth, water, fire, air and sky. The researcher would like to highlight the belief of  who held the view that the body takes a longer time to get converted into the five elements in the case of burial. This is also spiritual concern which is also being referred by T.S.Eliot with modernist aspect, in the second part of The Waste Land, 


That corpse you planted last year in your garden

Has it begun to sprout? Will it bloom this year?


Use of many animals in the Waste Land


Cat, rat, dog, wolf etc serves profounder role in The Waste Land. 


The Fire Sermon


According to Upanishad, 

When the fire has gone out, speech serves as the light. 'Speech' here means sound. Object of hearing, stimulates the ear, its organ; this gives rise to discrimination in the mind ; through that mind a man engages in an outward action. Thus, to which we consider as light, keeps on changing. Constantly changing, Fire is light. One or another way, it presents in every object, it exists even within. Researchers points through this, ‘it is the light of that sites, goes out, works and returns. The light, the fire we are speaking of must be body and within it. It is invisible.

 

Fire is the extreme force of the self not just for perversion as Eliot also signifies much deeper. This light, fire keeps on changing and ultimately reaches to the self.

 

Mutual understanding of Jar

 

Jar is used not to just cover but also to discover. This explanation reminds John Keats for his Negative Capability as ultimately it is not negative but at the extend level of positivity. Where the depth of spirituality lies than this!

Death by Water and The Fire Sermon, both the parts are at the height of agony within the self only. Water is too not symbol of peace, it just seems. Concept of using fire and water gets clear here as Eliot uses in The Waste Land, influenced by The Brahadarnakya Upanishad.


The Brahadarnakya Upanishad


 

Very interesting idea is water is too not peaceful and always prudent same as fire is also not all time burning. Eliot uses fire and water as metaphors that one can come out from the agony of fire but is far difficult to come out from the agony of water which is not looking perhaps the agony or anxiety itself. Titles of both the parts are also symbolic as Death by Water and The Fire Sermon.

 

The researcher feels that by referring to The Fire Sermon of Buddha that is intimate indicative of the shoddiness of the urban pleasures, Eliot has ardently expressed the universality of the theme of passion.

 

As it has been indicated in the conclusive comments of the this section, the researcher opposes the significance of water as a means of purification and rebirth. It itself referred as a fire itself. The researcher feels excited to see that the same line of thoughts has been passed forward in the fourth section also.

 

Way of salvation through the self


End of The Waste Land suggests that it is not rudimentary outline which is given. ‘The Brahadarnakya Upanishad’ defines the self of which Eliot simultaneously talks about.


Never move slightly with the feeling of self-importance, as it invites predicaments of pain. Thou wilt be offered the ultimate death sweet-ball made of flour and water; every other thing will go directly in vain.


What is self?


Though the self has been proved to be other than the body and organs, yet, owing to a misconception caused by the observation that things which help others are of the same class as they, cannot decide whether the self is just one of the organs or some-thing different, and therefore asks: Which is the self!'



The misconception is quite natural, for the logic involved is too subtle to grasp easily. Or, although the self has been proved to be other than the body, yet all the organs appear to be intelligent, since the self is not perceived as distinct from them; so I ask you: Which is the self? Among the body, organs, vital force and mind, which is the self you have spoken of-through which light, you said, a man sits and does other kinds of work? Or, which of these organs is 'this self-identified with the intellect' that you have meant, for all the organs appear to be intelligent?


Here is another reason why the self should be known to the exclusion of everything else. For example, A son is universally held dear in the world; but the self is dearer than he, which shows that it is extremely dear. Similarly dearer than wealth such as gold or jewels and everything else, whatever is admittedly held dear in the world? Why is the self-dearer than those things and the organs?


The Brahadarnakya Upanishad



This is being explained here is innermost. The body and the organs are inner and nearer to one-self than a son or wealth, for instance, which are external things. But this self is nearer than those even. A thing which is extremely dear deserves to be attained by the utmost effort.



Life in death & death in life


In this section the entire circle of The Waste Land that had begun with the

unfavourable April in the very first section gets accomplished. Here in the midst of the waterless days of April have been delineated by Eliot once again. Eliot has expressed the agony in the following words:


He who was living is now dead.

We who were living are now dying

With little penance


DA DA DA


In the follow-ups to The Waste Land the poet has shown the insinuation to the Brihadaranyaka Upanishad. As per the Upanishadic story, in the aftermath of the total failure of rain in India the gods, the men and the demons in the perplexed and confused state of mind go to the divine soul known as Prajapatiji and request him for the knowledge of the path of salvation. The Lord appeared before them in the form of thunder and uttered a mythical mantra as the key to the spiritual renaissance. It was DA DA DA, also followed by T.S.Eliot as ultimate solution for the salvation.


DA

Datta: what have we given?


First DA suggests, only by such devotion and by donating oneself for some nobler cause, the humanity has progressed up till now.


DA

Dayadhvam: I have heard the key

Turn in the door once and turn once only


The second DA means Dayadhvam meaning to sympathize. Eliot felt frustrated and stunned to see the modern humanity caught in the clutches of self-centeredness. The Indian concept of ‘paraspara-devobhava’ in this regard accentuates that the humans must not ignore the contribution of even the handful of dust, found on their day today way, made of the dusty particles of the earth since they might require the assistance of everything or everybody in their lifetime. The researcher feels that sympathy for helping hand to others or developing a kind of the spiritual salvation. The prominent anxiety is, people are emotionally and morally dead and physically alive. So, what is the purpose of this kind of human life?


DA

Damyata: The boat responded

Gaily to the hand expert with soul and shore

The sea was calm,


The third DA means Damyata meaning self-control and being the disciplined individual. The poet has forewarned his readers not to hold discipline as quiet synonymous to the loss of freedom, but instead he states that discipline rather makes one’s journey of life easier and smoother.


Eliot has analyzed the reasons of using the ascetic heritage of the East and the West respectively. Researcher firmly agrees with this point that , at the convincing portion Eliot hard back the humanity of the teachings of the Upanishad and he believes firmly that by employing this way alone the complete Peace, the harmony which passé the understanding can be achieved none other than Shantih Shantih Shantih. Thus, the modern epic- The Waste Land, the poem ends on a supportive memorandum of hope for the possibility of the human reinforcement. The researcher here directs that Eliot has shown the Upanishadic refuge as the one, fetching the peaceful spiritual regeneration of the wastelanders in the disastrous midst of the decay and degeneration of the spiritual myths.


According to the researcher, it is sufficiently acceptable to prove Eliot’s strong belief in the traditional scriptural classics of India as the united one. It is a notable fact that Eliot has subjugated the rich poetic possibilities of the Upanishadic mode of utterance for the spiritual regeneration of the humanity, especially for the waste landers.


Another thing to be highlighted over here is that none other than devah,

manusyah, and asurah (Divinity, human, demons) had move toward to Prajapatiji, their father preceptor, after the completion of their formal teaching and received the Gospel of Damyata, Datta and Dayadhvam as expressed in the Brihadaranyaka Upanishad. Eliot has presented the gospel by the changing the words to the human beings only.Eliot made Upanishadic DA DA DA into a single message, he made it exceptionally human and shows his poetic intellectuality.


So, the researcher positively thinks that the allusions to the shanti mantra was not just part of Eliot’s parade of information, but a crucial component of what was to come ahead. To sum up the researcher has to submit that Eliot being horrified with the sweeping tide of spiritual degeneration in his contemporary era turns to the Upanishadic wisdom of the Indian Scriptures in order to get rid of the terrible situation. Eliot unfolds, not folds. As researcher has earlier also hypotheses and now proving that Eliot is not subverting to end but leads towards a gigantic door of Upanishad and spirituality, deeply rooted in Indian philosophy.  


Thanking you.






References and work cited



(1)Chatterjee, Satischandra. An Introduction to Indian Philosophy EBook: Chatterjee, Satishchandra, Datta, Dhirendramohan, Datta, Dhirendramohan:/Introduction-Indian-Philosophy-Satishchandra-Chatterjee-ebook/dp/B01C2IHREY.


(2)Dwivedi, Amar Nath. Indian Thought and Tradition in T.S.Eliot’s Poetry. Bareilly: Prakash Book Depot. India, 1977


(3)Eliot, T.S. Preface. Lancelot Andrews: Essays on Style and Order. London: Faber & Gwyer, 1929



(4)Eliot, T. S. The Waste Land & Other Poems. Benediction Classics, 2011.


(5)Jain, Manju. “The Waste Land” T.S.Eliot Selected Poems and A Critical Reading of the Selected Poems of T.S.Eliot. Delhi : Oxford University Press,1997.


(6)Madhavananda, and Śaṅkarācārya . The Brhadaranyaka Upanisad, with Commentary of Sankaracarya Translated by Swami Madhavananda, with an Introduction by Mahamahopadhyaya S. Kuppuswami Sastri. 1965, /Brhadaranyaka-Upanisad-commentary-Sankaracarya/dp/8175051027.


(7)Zimmer, Heinrich (1, Philosophies of India (reprint 1989), Princeton University Press





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